Vegetables and a Seed Planting Dance

Part of my goal for these classes is to connect language to movement so that students have a kinetic language learning experience.  Up, Down, and Around by Katherine Ayres was a great catalyst for just that. This story allowed us to explore movement of how things grow up, down, and around. For the reading of the book, I had the children sit on the rug. Because this book has predictable text, the preschool students were able to read along while acting out the movements with their arms. After the book, we played a movement game based on the text.

Taking my cue from the book, I asked students questions like, "If you've tried  corn, stand up!" and continued this with all the vegetables in the story and their corresponding movement, "If you've tried beets, sit down," "If you've tried tomatoes, turn around!" The children seemed to have a lot of fun with this and it was great to see them react to the different foods that were called out.

Years ago in an African dance class in Cambridge, Ma, I learned a seed planting dance.  It is a dance that has stayed with me and has been incorporated into many of my creative movement classes. To transition to the seed planting dance, we discussed how each of the vegetables in the story began as seeds.

We began by making a basket shape with one arm. With the other arm, we acted out removing the seeds and tossing them into the soil. Once we got that movement down, I continued the story of the dance. We carry the babies on our backs while we plant the seeds, so we have to bounce them to keep them happy. We combine the movements and I put on the music. Together, we planted seeds all around the room while bouncing the babies. Boy and girl alike enjoy performing this dance and it is such a pleasure to witness their jubilation! Back on the rug, we put the babies to bed for a nap and continued to free dance; a celebration for planting all the seeds.

To end class we sat on the rug together and I asked each child what was their favorite fruit or vegetable and followed-up with a sticker. This was a nice way to cool down and end class as well as interact one-on-one with the children. At the end of my last class I was able to stay a little longer to converse with some of the children further. It was a wonderful dialogue of children telling me and each other all different kinds of fruits and vegetables they enjoyed, a wonderful way to end the class.

Food, love, and dance.

Barnyard Hoedown

This week we read Barnyard Dance! by Sandra Boynton, a great book gushing with movement words. Because there were so many movement words, I decided to write them all on slips of paper and put them in a jar. After the story, each student had a turn to draw from the jar and tell us what movement to do. I used language straight out of the book like, twirl with the pig, bounce with the bunny, prance with the horses. The student would open the folded paper (a great fine motor challenge for this age group), I would read it aloud, and then the student would demonstrate the move for the group. Then, I would play the ukulele while all the children tried out the movement.

After each student got a turn, we all went down to the hoedown. I encouraged students to incorporate any of the moves we tried, or be any animal from the story, or just dance how they like. We did this for a few minutes until I had all the children hold hands in a big circle. We ended the class by having each student enter the circle and show-off their favorite moves while the rest of the circle clapped and cheered. For the hoedown music, I played Bela Fleck and the Flecktones' Throw down at the Hoedown off their album Left of Cool- how could I not? That quick banjo playing funk style is perfect for these classes!

Drumming, Movement, and Story

Giraffes Can't Dance by Giles Andrea was the perfect lead-in to drumming and dancing this week for Story Story Dance. After our standard warm-up and the story, I brought out the djembe. Students explored various types of movement as I played. I encouraged them to use their whole bodies to move with the drum. In my experience, children have no hang-ups when it comes to embodying the sounds of the drum, they are fearless and go for it.

For the next part of the class, I told the children that now they would be the drummers and the dancers. One by one I introduced them to a variety of percussion instruments and showed them how to play it. This included three homemade shaker drums two frog drums, a rain stick, a gecko clacker, and tone block. The frog drums invited us to have a great discussion about same and different. One of the frogs was small and yellowish, the other was bigger and very dark brown. We also listened closely to the sounds they made to determine if their sounds were the same or different. Then, we counted all the instruments to see how many we had all together.

Percussion Instruments

Music and instruments invite so much opportunity for children to show what they know and make connections across the curriculum.

For the drumming dance party, I broke the class up in half by inviting students up to play the instruments while the others danced, then switched. Once the drummers had their instruments, we reviewed two hand signals - start and stop. If you have never been a part of a drum circle, I cannot in words describe the excitement that occurs when all the drummers are playing and then all stop together. There is something magical in that moment when everyone stops at the same time. My little drummers got to experience this yesterday and the magic was definitely there.

I ended class by giving everyone a turn to come up to the djembe and play it.  This is always a fun activity because everyone gets to have their moment to hear themselves on the drum. Some children hit as hard as they can, some play a little quiet, some give it one big whack then walk away, while others take a moment to find a rhythm.

So much fun and so much learning!

Animal Masks and Movement

After two months on hiatus from foot surgery, I am finally back in the classroom! This week, I kicked off Story Story Dance with animal masks and the book Rumble in the Jungle by Giles Andreae. This book introduces many different animals, but I focused on the ones that I actually had masks for. This worked out great because if I had done all the animals, this would have been an hour long class. As it was, this class went over my allotted half-hour slot and took about forty-five minutes. Luckily, the teachers were great and happy for the extended class considering the kiddos would have shortened outside time due to the heat. Sometimes things just work out.

The masks were very simple, made out of animal face paper plates from the super market and tongue depressors for holding. I got this idea from a yoga teacher I worked with who used the plates in her children's yoga class to help children embody animal poses.

Rumble in the Jungle by Giles Andreae

For this class, I read the short poems about each animal from the story and students explored smaller movements in their sitting positions.  After the story, we created a big circle with movement space in the center. Every student was given a mask and each animal had their own music. I used short musical compositions from a pre-ballet music selection. In partners, students came to the center of the circle and explored the larger animal movement.

As always, the children surprise me. The children seemed to love taking their masks and scaring the children in the outer circle and the children in the outer circle seemed to love getting scared! After every set of animals had a turn in the center, we went to the animal dance party, where all the animals dance together and the children become any animal they want to be.

In the beginning of the story, the narrator introduces the animals as waking up in the jungle and the end of the story, the animals go to sleep. So of course we ended class with all the animals falling asleep in the jungle. The fake snoring was hilarious! I traded masks for stickers and ended class. It's great to be back!

Nursery Rhymes Starring Lambs and Sheep, or Props are Helpful When Teaching

During the month of March, I introduced the lamb (who grows up to be a sheep) for the toddler and preschool story dance classes.  Using a book with great illustrations, I read Mary Had a Little Lamb (we also sang). The lamb grows-up to be a sheep and we read Little Bo Peep, then we sang and read Baa Baa Black Sheep. We also changed the color of the sheep a few times.

After reading Mary Had a Little Lamb, we played follow-the-leader. I gave one tot the stuffed animal and she became the leader and we all followed her around the room. We played this until everyone got a turn. I followed the leader while tapping a beat on the tambourine.

The Redstone School, now in Sudbury, Massachusetts, is believed to be the schoolhouse mentioned in the nursery rhyme.http://en.wikipedia.org/wiki/Mary_Had_a_Little_Lamb

The stuffed animal as a turn-taking prompt has been working very well for the toddlers and preschoolers. And since sharing is not a toddler's greatest skill, I am so glad when I see them hug and pass.

We also acted out Little Bo peep, which the little ones really seemed to get a kick out of. I pretended to be Little Bo Peep, distraught over losing all my sheep, while the children hide (pretended to hide). Then, they all come back wagging their tales behind them. They wanted to play this several times, some children took turns as Bo Peep. Toddlers and preschoolers enjoyed the dramatic action!

In general, props have a wonderful role in the creative movement class, and other expressive arts, as they invite imagination, extension, and discovery of movement; a theme I have seen repeated over and over. Visual and kinetic learners may especially appreciate when a prop appears in the learning space.

Brown Bear: The Ambassador of Hello and Goodbye Hugs

The experience of music, movement, and play is important at every stage of development, and even more important to those individuals for whom development has been interrupted.  Children of neglect and trauma often share in common the uncertainty of adults abruptly leaving their lives. For instance, these children may have witnessed parents being taken away by police, or remember being taken from their home by a social worker, not knowing when they would next see their parents. For the young child, these events are typically unplanned and they do not always get to say goodbye to a loved one, nor get a hug goodbye.

My story dance class reaches out to children who have lived through these types of disruptions, sometimes more than once. A special element that has evolved in these groups is the role of Brown Bear, who has become the Ambassador for Hello and Goodbye Hugs. His role has developed over time and he now has an important place in my story dance classes.

At the beginning of each class, I remind the students that Brown Bear is soooo forgetful and that we all must tell him our names - again! I tell Brown Bear my name and pass him around. Each student tells Brown Bear their name and gives him a squeeze. The act of saying their names aloud has it's own empowering affect. Several of the children have delayed speech and finding their voice to say their own name is, for some, difficult. Often, the other children will not give the child holding Brown Bear the chance to say their own name, they just start shouting it (no matter how many reminders they get).  Still, some of these more quiet children have taken the opportunity to say their names with Brown Bear in their arms. Some do not say their own name, but they will hug him, and pass him to a friend. At the end of class, I bring back Brown Bear who travels to each student for a goodbye hug. This has been an beautiful event to witness and it is an essential part of class now.

Perhaps amidst the fun of singing, dancing, and reading stories, Brown Bear is helping these little ones gain wholeness and healing by giving them the chance to say hello and goodbye, on their terms. Perhaps. Or maybe it's just nice to hug a soft cuddly bear. I may never know the long term benefits of Brown Bear's role in their lives, but I do know that each child beams with joy when they hold him, and that is reason enough to bring him every week.

The Red-Pink Dilemma

Before I offer scarves to any of the preschoolers, or even the older ones who I do these classes with, I like to read the story Color Dance by Ann Jonas.  Students preschool through kindergarten are captivated when I read this. When the story is over, I tell them that we will do our own color dance.

I pass out the scarves and regardless of what age I am working with, they get excited. To lead up to our color dance party, I play I Have a Little Scarf from Moving with Mozart by Georgian Stewart - a great guided music experience I recommend for any early learning classroom. I begin with this track because it introduces students to the different ways they can move with their scarf - like a ship sailing by, an enchanted curtain, leaves falling from a tree. The favorite is the shooting star, when we throw our scarves up in the air and try to catch them when they fall.

After our scarf exploration, it is time for the scarf dance party where students get to dance however they want with their scarves. The little ones love when I come-up to them during the dance party and cover them with a scarf, or let a scarf fall on them. The giggles abound!

But here is the problem I have with the book Color Dance. The entire thing is based on the primary colors and how they mix together to make new colors, but all the reds are pink! Before I read the first word of the story - which is the word red next to a girl dancing with a large scarf of the same color -  I ask the children, what color is this?

They all have the same answer, Pink! 

Then I show them real red in the form of a felt square, to make up for the red missing in the publication. The publishers of this book really messed up here, didn't they read what they were printing? Now when I read this book, I show all the colors with matching felt squares. I am thinking about painting over all the pink scarves that are supposed to be red with red paint so I don't have to keep going through this. Though despite this major glaring flaw, I continue to use the book because it really is a great a book for a creative movement class.  It would be great however to see this book reprinted so that the red actually looks red.

Toddlers - They Tell Me What to Do

I do not sweat more than when leading my toddler classes. Wait a minute, I do not lead anything, they run the class! I love it though. Last week when I played the ukulele for a freeze dance, the tots took over by telling me to "freeze" and "go," and again this week. It is quite adorable.

I have a huge tote bag that I bring with me that has all my teaching props ready to go - scarves, a few instruments, fabric, fabric, fabric, a stuffed bear, a magic wand, all the necessary things.  The tots found the bag and just started pulling things out, "Ok, its scarf dancing time!" I don't fight it, I roll with it. This is how I have figured out how to teach toddlers creative movement. They tell me what to, I just make suggestions now and then.

For the story part, I read From Head to Toe by Eric Carle. When we got to the cat, I showed them how to stretch like the cat. One of my little ones went into a downward dog with one foot bent in the air, "It's yoga," he said in his little toddler voice. The cuteness is unbearable at times.

I have learned to love teaching toddlers creative movement and music, though my first year doing these classes for this age, I felt, was very challenging. Now, I really look forward to it. The difference with this group is that I really have to let go of trying to get them to do what I planned or want them to do. I bring the music, the instruments, the props, and we play. I don't even do things in order anymore. You want to start with the ukulele, sure. You want me to cover you in fabric, ok. You want to jump up and down for awhile, let's do that.

My classes are, usually, very structured. The toddlers, apparently, are my kryptonite because all structure goes out the window. And it works. I think part of the success of these groups are the excellent teachers in the classroom. They participate and enjoy the children as much as I do. With a supportive group of teachers around, every class is a success and everyone has fun.

"Stretch" with the Preschoolers

This week's story dance class with the preschoolers was super fun. We read Stretch by Doreen Cronin and Scott Menchin (also in book recommendations!).  After our warm-up and snake breaths we get ready for the story. I pass out the story squares and as I do, the children name all the colors. Then I review the book cover with them. The first story dance group made spontaneous predictions about what animals they thought would be in the story. It was great. Sadly, the crocodile one child predicted did not appear in the story, but he did not seem disappointed by the giraffe, whale, leopard, and kitten who did.

A page from "Stretch."

After the story, I put on some mid-tempo music and led the group in a story square stretch. I ask them to hold the squares with two hands and stretch the square up, to each side, lunging, we stretched them out front and behind, we shined our shoes with them. Next, I collected the squares and asked the children to sit down for I was bringing out my faithful sidekick - Mr.Tambourine. I went around the circle and had each student tap Mr. Tambourine with their toes. This was a really cute exercise that they all seemed to get a kick out of- ha! I think some of them may have thought the notion of being asked to kick the tambourine with their feet was absolutely absurd.  It is a funny idea considering if they were to go around kicking tambourines, that would definitely not be ok.

It is ok, however, in a structured class as this. The tambourine provided them a focal point to aim, stretch, and tap. The tambourine was a target, and when they toe-tapped the target, they created a really cool sound. This invites an auditory experience along with the kinetic and I like multi-model, or inter-model, experiences in the learning process. This type of exercise is beneficial for developing self-awareness by exploring their bodies in space - My body ends here, CLANG! (or whatever sound it makes). It also helps to develop self-awareness through force; when the student kicks lightly, one kind of sound occurs. When they kick hard, another and more startling sound occurs. This is very valuable information for the developing brain.

My tambourine is also super durable and I use it regularly when teaching dance, movement, and drama, so I wasn't worried about them kicking it.


For our dance party, I passed out the dance scarves and encouraged students to use the scarves in different ways, incorporate some of the stretch  moves we had previously done, and - the best part - throw the scarves up in the air! For this part of class, I put on Groove Armada's If Everybody Looked the Same from the album Vertigo. This song is really up-beat and has a funky groove that they can all get down to. The only lyric in the song is, "If everybody looked the same, we'd get tired of looking at each other." I believe this is a great message in general and totally coincides with my teaching philosophies of acceptance/tolerance/and celebrating diversity. From my years of doing this, I have also learned that little kids really love disco. This song is not disco necessarily, but this song has similar elements that the kids like to boogie down to. After all, we can't listen to Stayin' Alive every week!

"Peaceful Piggies" Yoga Characters

"Peaceful Piggy" Flann

 The kindergarten and pre-k classes did in fact enjoy the masks. They were a little too big, but we rolled with it. The kids thought they were silly and fun. I would read them a page from the book Peaceful Piggy Yoga by Kerry Lee Maclean (also in book recommendations!), then talk about the peaceful piggy in the illustration. I brought different props to go along with each piggy character. Two students would come up and become those "peaceful piggies" and demonstrate the pose for the class. The format worked really great, especially for the smaller pre-k group. For the larger kindergarten class,  we only had time for half of the book; I will do the second half of the book during our next class.

I brought back the ukulele and did Yoga Freeze Dance for our dance party. I encouraged the students to incorporate movements of the different characters and poses we had explored in the book. The end of class dance party varies each week. Sometimes we freestyle, sometimes we freeze dance with special poses, sometimes we play Magic Soup. The rules of the dance party may change, but I always leave time for the dance party; it wouldn't be story story dance without it!

I have not yet done peaceful piggies with the preschoolers. I think the format will have to be a little different and more contained. I think I will leave out the masks, but use the character props, and have everyone pretend to be peaceful piggies. I am pretty sure this group will be able to get into piggy character without the assistance of a mask. I'm still exploring ideas for this one.

I am also looking forward to the second half of Peaceful Piggies with the pre-k and kindergarten. They all seemed to enjoy taking turns being different characters and getting-up in front of the group.

"Peaceful Piggy" Jack in Tree Pose

The Hip-Hop Dancing Firefighter

Its days like these that I feel so grateful to do what I do. I get to witness and experience these great moments and when they happen, all I can do is smile and fill-up with joy because I was there.

Today's story dance class was with the preschoolers. I read Eric Carle's From Head to Toe (also in book recommendations) As I read along, the little ones tried out the different moves in the story. After the story, I invited each student up one at at time. They could turn into anything they wanted and had to share a movement for the class. Then I would introduce them in the style of the book, "This is Princess Samantha and she can twirl. Can you?" Then everyone would twirl. Essentially, it is a mirroring game and they were super cute doing it. We had three firefighters, but one of the fire fighters was a hip-hopping firefighter (this was painfully cute, this kid was getting down!). We also had a student who was a  pumpkin that flapped up and down and made a silly noise, and there was also a very deliberate kitty cat that was more like a robot - this kid was committed to his sound and movement like I'd never seen. After everyone got a turn, I put on Groove Armada, and we had a dance party. I invited the kids to incorporate moves from the book and moves of their friends.

It was a pretty great class for everyone. The children's responses certainly had the teachers in smiles and all the kids moving. It was a joy!

Preschool Pretzels

I ran the story class for My Daddy is a Pretzel with the preschool groups which went very well. I am always a little unsure of how things are going to go with such a young group, but they surprise me each week with their enthusiasm and ability to stay engaged and on-task. Just like with the older kids, we practiced our snake breath, did our warm-up, and had a pre-reading discussion about jobs. This was actually funny. The best answer for what job does your mommy or daddy do? - "fire truck."

Then we read the book. On the first page of the story, the illustration shows the kids sitting on colorful squares, a bunch of them piped-up "story squares!" Each week I pass out different colored felt squares called "story squares" to help keep the children in place during the story. They were very excited to see themselves  reflected in the book. We read the book and tried out moves in our own way on our story squares - similar to the other groups. For pretzels, I had them all get twisty in their own way.

Then we practiced the yoga poses standing up for "Yogi Says" and closed the group with the yoga dance party. They loved my green ukulele, which is becoming such a wonderful teaching tool, and it is so light and easy to transport. We played a variation of "freeze dance," when I play - you dance, when I stop - yoga pose. They did great with this. I made sure to call out all the different poses I saw, "I see a triangle, I see a tree, I see a bridge!" This was helpful to get all the kids participating and trying out different poses.

One little guy was stuck on doing the lion pose and roaring at everyone, but once I started giving out the verbal attention, then he started trying new things. They all want to be noticed. Every class from preschool to kindergarten, they all say it "watch me!" It's cute and adorable, and they all do it, from the east to the west.

The very last class ending pose was the rainbow pose. I have seen different versions of poses with this name, but what I had them do was lie down on their backs, relax, and look up into an imaginary sky with big white fluffy clouds going by - can you see them? Now look for the rainbow - can you see it? As the kids are lying down calmly and quietly, I pass out stickers, releasing them to their teachers.

I try not to do stickers for every class. I want stickers to be a surprise at the end. For years, I didn't give out anything at the end of each class. I would wait until the final class to give each student a participation certificate - which they all love to get. It took me years to get over it and that stickers are ok. I was concerned that kids would lose the intrinsic value of the class and get too focused on stickers. This has not been the case. Even on the days where I don't (or forget or run out of time) to give stickers, I don't hear any complaints. They don't notice, because, I think, they just had a lot of fun and are leaving the group happy. So now, I have three booklets of stickers I keep in my Mary-Poppins-Like tote bag (along with scarves, tambourine, bells, a toy microphone, felt squares, and anything else I may need). It is good to keep things with you even if you don't plan on using it, sometimes, in the moment, you many need a plan B, or C, or D.

Yogi Says, Yoga Dance Party!

Today I had so much fun with the kindergarteners and pre-kers for Story Story Dance! The story of the day is My Daddy is a Pretzel by Baron Baptiste (also listed on the Book Recommendations page). I also used yoga visuals from the Yoga Pretzels Yoga Cards (these cards are great, I incorporate them into these classes whenever I can). After the warm-up, we sat in our story circle and discussed the book cover. Then,  I informed the children that the children in this story share the different jobs their moms and dads have. We then engaged in a discussion about jobs, or occupations and they shared the different jobs they knew or the one's of their parents. My favorite (and the most common answer) was "they work."

Some children did in fact have parents who were "construction workers" an "architect" and "baker," like some of the children in the story. As we read along, we tried some of the poses. During story time,  I limit movements to those we can do on our story mats (no standing activities). While on our story mat for this book, we made tree arms, we made triangles with our hands and fingers, airplane arms, fish faces, made pretzels with our arms by making them twisty, and stuck out our tongues for lion pose.

The next half of the story dance class emphasizes axial (on the spot) and locomotor (through space) movement.  We practiced triangle pose, tree pose, and mountain pose and played a round of "Yogi Says." For our end of class dance party, I busted out my ukulele and we played Yoga Freeze Dance! The is a new instrument for me and I am loving how fun it is to play and how easy it is to tote around (mine is a vibrant green with a sheen).  While I played a tune, the children danced around. When I stopped and held the ukulele up over my head, they got into any yoga pose that we practiced during class. They seemed to have a lot of fun with this and it was interesting to see which poses they chose. For our very last pose, everyone laid down on their backs and pretended to be peaceful rainbows. A great ending.

Today's classes were super fun. Story, children, yoga, and the ukulele go very well together.

Magic Wands

Magic wands are extremely helpful when teaching young children. You can also use magic bells... magic anything really. And the best part about them, is that they work! For my creative movement preschool program, I use an earth bell and refer to it as the magic bell. When I ring it, everything freezes.  Silent signals are extremely useful with this age group and all age groups really. Calling it magic is what gives it its power. The children make it work.

I start each creative movement class in a circle. I do a check-in at every circle to help students get focused and prepared for the class which requires a lot of listening and following directions. During this check-in, I look at each student directly making eye contact with them, then I roll them a ball. The rule is only the person with the ball can talk. I ask everyone the same question, and they roll the ball back to me after they answer. For initial groups this exercise also helps me learn everyone's name. In later groups, I may ask questions like what is your favorite color?food? After the check-in, I bring out magic bell. I ask the students to help me check if magic bell is working today. If magic bell is working, then we can have class. If magic bell is not working, we cannot have class. I ask everyone to wiggle and shake (they love this). When I hit magic bell, they freeze.

With one group, students were getting a bit over excited with the movement activity, this is what magic bell is for - behavior management. I ring the bell so that everyone will freeze; but on this day, they keep going. I rang it again, but the children still did not freeze. Then, I turned off the music and said, "Oh no! Magic bell is broken! We have to end class." The children look stunned and disappointed. I ask them, "should we try magic bell one more time?" They say yes. Then, like I check at the beginning of class, I ask them to wiggle and shake, I ring the bell, and they freeze. We have not had any issues with magic bell not working in this class since.


I also used magic wands in my preschool creative movement class for our Nutcracker inspired classes. We galloped pretending we were reindeer pulling a sleigh to the Sugar Plum Fairy's palace follow-the-leader style. I led the students all around the space eventually ending the exercise with everyone sitting on the mats facing the dance space. For this performance score, some children pretend to be the "honored guests" while students take turns being the various dancers from the Land of the Sweets. I pass out magic wands (straws with sparkly ribbon coming out held together with a staple covered by big sparkly snowflake foam stickers). The dancers were given a palate of twirling, sliding, and pointing for the Sugar Plum Fairy dance. I demonstrated the dance moves they could play with and turned on the music; then one of students (four years) said, "It's light and airy." Yes it is! What I also love about the magic wands is that there is no gender preference; boys and girls in all three classes were equally excited and expressive with them as well as with scarves as the Arabian dancers.

The next class after this one was their final class of the eight week creative movement program. When I rolled the ball to each student at the start of class, I asked them to tell me a dance, game, or exercise, anything we have done in class, that they would like to do. They would be designing the final class.

All three classes asked for the wands and the Red Carpet game. What great feedback.

12 Kids-A-Leaping

Every year around this time, I find some way to integrate music from Tchaikovsky's The Nutcracker. The music offers wonderful inspiration for creative movement classes for children and adolescents. This past week in the preschool creative movement class, I introduced Nutcracker music to the students for leaps over the "snow" (batting). For young students, they don't need much to jump over to get them actually jumping, something as simple as colorful tape stuck to the floor can be all they need to encourage a jump. I like to make a story out of the exercise, or some guided imagery, turning the props and the activity into something exciting. I told the students that the batting is the snow and they are the leaping reindeer. I also told them how I was a reindeer in the Nutcracker when I was five; clearly the experience has been inspiring!

When leading exercises for children this young it is absolutely necessary to show them where to start and where to finish their turn. I put a large foam square puzzle piece on the floor - this is the start. Then I demonstrate how to run and leap over the batting. The child's turn is finished when they return and sit back down on the mats. I crank up what a former student referred to as "the big song" and stand on the side with my tambourine. As each child leaps over the batting, I hit the tambournine! This adds drama and excitement and the kids love it.

During the winter months, I have a lot of fun creating classes using the batting and other white fabric or tulle as props to encourage movement in the children who are natural performers and for who play is their language. For children who struggle with imagintive play - and there are children who do - the props can be their way in.

Strut Your Stuff

With my fabulous new teaching prop - the 8 feet or so long rectangle stretch of curtain fabric - I created a game (although it may exist in another form under a different name) that I will now refer to as The Red Carpet. In this game, I lay out the long stretch of fabric. Each student has a turn to strut down the "red carpet" while their teachers (or whoever) pretend to be the paparazzi taking their photos. When they get to the end of the fabric, they turn back and strike a pose. This game was enhanced by the Bee Gees Staying Alive. Each student got a turn to strut down the red carpet however they wanted to. Some skipped, some ran, some went on all fours, and when they got to the end, they all struck a pose, even if it took a few trys. This game allows each student the opportunity to have a solo, to be creative in their own way, to have all the attention. I also got the teachers to take a walk down the red carpet, which of course the kids LOVED!

Note: In the space where I am teaching this preschool creative movement class, the floor is covered by a large square rug which is great for defining space and setting boundaries. It also holds the fabric in place. I would not do this game with this fabric on a smooth slippery floor.

Dance Story

This week was the final class of my eight week creative movement class for girls. It was a great ending. We repeated the yoga warm-up from last week and another version of Dancing Group Cactus Pose with Earth Bell. Since it was the last class, I pulled out the scarves and let them free dance for about 10 minutes after the warm-up. While they danced, I called out what I saw - which was awesome because I saw so much of what we had been working on throughout the class. In their free dance they showed axial and locomotor movement, mirroring/joining, contrasting, and levels. I also called out their groupings - a trio over there, a duet up here, a solo! This helped them become more aware of each other and though I desperately tried to direct them to the center together to find a group ending, what ultimately worked was yelling out Final Pose! It was sensational.

I am very proud of what occurred next in our dance class. I asked the girls to gather around the big board. We are going to write a story. Since our theme is nature, I encouraged them to use nature words (reminded them of the list from last week) and laid out the yoga cards to help stimulate ideas. In the round, each girl contributed a sentence. We were able to make it around the group twice. They did a phenomenal job. And the little tough nut participated all the way until she was picked up right at the end of the story. I think her experience in the dance class ended on a good note. I'll never really know, but I think so.

Then I put on music from  Groove Armada's album Vertigo. Great beats and mostly instrumental, great for a dance class and for creative writing exercises. It's also music that I like, personally, and it has been a reliable teaching aide for years. I have actually been using music from this particular album with elementary and junior high kids for about 10 years. Good music is good music.

I gave the girls the scarves - they love using them and the props totally help them to expand their range and palette of movement. Then with the music, I narrated their story, and they danced the story to life. It was awesome! There was a mountain, and snow, and girls playing, and a castle, and a dragon, and a star that came and went, and it was just incredible. And they really did have a beginning, middle, and end.

I am proud of my girls.

Playing with Constrast

In the dance class with my older girls this week, I expanded on the theme of opposites by introducing them to contrast. In the previous class, we explored opposites in language and literacy, and explored the language in movement. This week we took that a little further. After we did all our warm up exercises, I introduced a movement game. This exercise was originally inspired the drama exercise "Projectiles." I don't know where that game originated, I learned it from a fellow Emerson student while we were teaching together for a youth theatre summer camp many years ago. The structure of the exercise can be found in various drama and movement games. There are also hints of Laban in the version I used in class.

Structured Improvisational Movement:

Prep -I wrote opposite pairs on index cards. The deck included:

soft/hard, open/close, loud/quiet, big/small, hot/cold, heavy/light, on/off 

The Exercise - Each student had a turn to draw a card. As a group, we traveled across the floor (stage cross style), to a marked end point, moving/embodying the first word on the card. When we reached that point, we turned and traveled back to the start moving/embodying the contrasting word. This is a very structured, contained, and low-risk exercise; these kinds of exercises invite a lot of freedom to individuals who may be new to the medium.

My girls had a great time with this exercise. 

We ended class with a performance score. I had three students by this point. I kept two in the performance space and one in the audience, and kept alternating performers. I used one piece of music. In each new duet, they took a moment to whisper to each other, then gave me the music cue. Their improvisational dance score was to show joining/mirroring and contrasting movement. They also needed to show both axial and locomotor movement.

They had a great time and so did I. I left class that night feeling energized and excited to design the final two weeks of the program.

Inspiration: elements

Color Dances Part II

Last night was a great class.

I begin these groups sitting in neutral. This means sitting criss-cross and spines long and straight, hands on our knees. This position alone invites some great dialogue with the girls. We talk about posture and relate posture from dance to our lives. I noticed the little tough one was slouching and not really taking any deep breaths, much like her first class. Without singling her out, I shared with the girls how taking the deep breath actually sends oxygen to our blood which goes to our muscles, which helps our bodies to dance. This opening circle helps me not only to gather the group, but create the group, as well as prepare our minds and bodies for the class. We begin with a deep breath in and out. On the second breath, we exhale all the troubles and worries of the day. Then a third breath for cleansing. Sometimes we gather all the good energy on that inhale. Then, I ring the earth bell. The bell signals class has begun, and we sit in stillness and silence for as long as it rings out.

Next we do the shake down. Two students wanted to lead it, so we did it twice. It is great to find those little moments in the class that invite the girls to take on leadership roles, as small as they may seem. When one of my young students expresses interest in being a leader, I am inclined to give them that moment. The creative movement class can be a fun and safe way for individuals to try out being a leader. They may be more inclined to take on leadership roles outside of the dance class, which is the hope and intention.

Next, we continued the warm-up in a structured free dance reviewing levels. To classical music, we explored movement in low levels, medium, and high. We also recalled dancing in our space (bubbles) as we danced freely. Then, we free danced to the drum, hitting poses of various levels. At some point, I make a game out of it, and the girls laugh as they try to keep up with the drum. It is  a great way to get everyone smiling and not thinking, but doing.

Our literacy component for this week was brainstorming words and phrases associated with different colors. We made lists for red, green, blue, and yellow. This was great. They got very into it (hands were shooting up!) and we read each list out loud together. When it was time to turn these lists into movements, one of the girls said she had some great things to share for the color orange. This turned out to be a great moment; I invited the girls to make their own lists at home and bring them to the class and we will take time to share and dance them. I will be very excited and keep my word if any of the girls return with a color dance of her own.

The design of the next part of class is inspired by an exercise that can be found in Augusto Boal's Games for Actors and Non-Actors. First, we created a circle standing in neutral. Then, each student took a turn to enter the center of the circle where she says a color out loud and a movement for that color. The outer circle mirrors the movement. Once everyone felt confident with the color and corresponding movement, I turned on the music and took out the scarves.

There was such a small group by the end that instead of a performance score I had planned (which was breaking them up into small groups where they would then create a color pattern and dance it),instead we improvised a dance using the movements from the circle. We were the dancers and the audience - drama! We explored these movements in various levels, and played with them, making them our own. It was beautiful and fun and the girls were happy and smiling.They were passing off leadership, they accepted all the offers, and they kept the flow and the rhythm.

It was a true ensemble piece

Oh, we did have an audience. There was a mom, she was smiling. I'm glad she got to see her daughter in a leadership role, being creative, while dancing beautifully.

Next week 's inspiration: opposites

The Power of Scarves

Of my collection, I am down to seven pastel colored scarves. I had seven dancers in class tonight - that worked out perfect.  I used the theme of color to tie the class together and explored levels in movement and dance. The one who started off a tough nut exhibited no-outsiderness today. She volunteered to lead the group in the "shake down" and stayed with the group the entire time she was in class tonight. I am so proud of her. Again she was picked-up before finishing the class, but I think this was the best class yet. No attitude from anyone towards me or the other girls and full participation by everyone who attended. We also had a new student tonight and her expressions throughout class conveyed joy. It is a rather indescribable feeling when you witness and experience someone's joy in response to something you have created for them. Although I have been doing this for about ten years, I am still always a little surprised, like "you really like this?" And then I feel like I did something right. I feel like I did my job. I feel like what I do is meaningful and worth doing.

Sometimes its just a smile from a nine-year-old who joined your class that one time that keeps you motivated, and its enough.

After the warm-up, I placed the scarves in the dance space. I invited each dancer one at a time to choose a scarf and sit in that spot. I put on some Tchaikovsky and we explored our personal dance space, "bubbles," by painting the interior with the scarf. We started low level, reaching and stretching our arms and legs in different ways while "painting" with the scarf, then to medium, then to high. Then we traveled. We danced in a circle dancing with our scarves, each dancer in their own bubble and aware of the other bubbles around them.We had a blast.

 I design my classes with the idea that everyone will be present until the end, although I know this isn't true ever. Girls get picked-up when they get picked-up, sometimes its during my class. I have learned to deal with this and have - overtime- been able to adjust to this and adapt to the environment I am working in - which is just what any teacher would have to do. ADAPT.OVERCOME. IMPROVISE. Wise words passed down to me from my Dad (and also a Clint Eastwood movie). And its true.

The performance score was very simple and amazing. I feel it is so unfair to the world, that most of the time, I alone get to witness their creations. They are often surprisingly sophisticated.Writing about it won't nearly do it justice. When I hit the bell (an earth bell), change levels and keep moving as long as the bell rings out, legato movement. And same with the drum, staccato movement. Of course we used scarves - they loved the scarves and the scarves invited new ways for them to move. It was so cool. They had so much fun keeping up with the bell and the drum, and it looked cool and they found so many shapes in their own bodies. It was great to see them get to that point where by the end of class they were exploring movements that were not their typical movements. They were starting to really get creative and challenge themselves. I could also see them starting to become more aware of each other.

There is something magical about scarves.

There were three dancers left for the last ten minutes; I ended class with free dancing with scarves, but I sort of treated it like a performance score. As they danced, I called out things we had been exploring in the classes that I saw in their free dance, like, "I see axial movement. There's  locomotor movement. Nice levels!" and so on. I think everyone had a good time tonight.